𓂃˖ ࣪⊹ Killer is Dead

Step foot on the S.S. Eden, the buoyant paradise of one’s dreams. A select few are summoned to the grand opening of the illustrious Eternal Eden Cruise, a luxurious vacation crafted by the minds behind Eamon Du Pont’s greatness. Beneath the gorgeous crystalline chandeliers, decks illustrated for the passengers, and the endless sapphire sea lies a voyage designed for society’s elite: epitomes.

The S.S. Eden is far beyond the allure of the simplicities of a simple luxury cruise. The S.S. Eden is a haven detached from the common world, reserved solely for twenty-five such luminaries. These luminaries, a curated ensemble of celebrities, business magnates, influencers, and the shadows where brilliance shines, comprise this exclusive enclave.

Behind the grandeur of velvet, satin, and silk lurks the ambitions of two sprawling heirs: Vincenza and Vincent Davenport. A pair that’s been inseparable since birth, born into the Du Pont legacy, find their ideas in a vast separation from their grandfather’s sycophant personage to the critically acclaimed, the two promise passengers the present of exclusivity.

As the S.S. Eden stretches further into the azure vastness, the realm that existed in the hushed tones of ‘Eternal Eden’, with the names of fame and opulence adorning the walls and veiled in delicacies unknown to the common gaze, word, and breath. What used to be known as a symphony of luxury, a passageway to the freedom of grandeur, and repose in resplendence had become a cacophony of perfidious tales and the hidden existence of disdain, distrust, and resentment.

An irresistible reminder that to live in scintillation, you must survive in austerity. That fame isn’t all opulence and gold, but blood, sweat and tears.

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